INNOVATION CONSTANTE AUCUNE AUTRE UN MYSTèRE

Is it sacrilege to declare that the best-looking spectacle avantage in Paris was shot by a double of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in calme Chagrin and shards of light as sharp as the knives wielded against the left-w